The first cover reveal I hosted on my blog last summer was for Randi Perrin's debut novel, Virtue of Death, a paranormal romance about a woman who runs a successful bakery by day and is an angel of death by night (and the handsome food critic she gets tangled up with, of course). Now, I'm pleased to hear the second novel in the Earthbound Angels series will be landing February 4, 2017. The protagonist of Promises of Virtue is Cheryl, the snarky best friend from the first book, so it's sure to be amazing.
Ready for the cover? Love has never been Cheryl Brigham’s plan. She’s not cut out for second dates, relationships, or happily ever afters.
This cover, while equally as gorgeous as the first one, has less of a paranormal feel than the first one, as does the description. Still, we know Cheryl is an angel, and who can resist a Paris-based love story? That castle in the background is beautiful.
The ebook of Promises of Virtue is available for pre-order now, and the paperback will be available in February. It's book two in the Earthbound Angels series, and I've heard Randi talk about being hard at work on the third book. I know I plan to collect all three.
About the Author
Randi Perrin has spent her entire life writing in one form or another. In fact, if she wasn't writing, she'd likely go completely and utterly insane. Her husband has learned to recognize when the voices are talking in her head and she needs some quality time with an empty Word file (the key to a successful marriage with a writer).
She lives with her husband, daughter, and four-legged children—all of which think they are people too. A pop-culture junkie, she has been known to have entire conversations in movie quotes and/or song lyrics.
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I first met Gregory Scheckler at the Gunn Center for the Study of Science Fiction in Lawrence, Kansas, a two week intensive writing workshop. I was in the novel workshop with Kij Johnson, and Gregory was in the short fiction workshop with Chris McKitterick, but the two groups socialized plenty outside of workshop time. I encountered him again when he submitted a story to an open call at World Weaver Press, and I was happy to include his story "A Persistence of Ghosts" in my anthology Speculative Story Bites.
Recently, Gregory has taken the plunge into indie publishing with some fascinating science fiction projects. I asked him to stop by my blog to talk about his writing, climate change fiction, and his advice for aspiring writers.
Sarena Ulibarri: What was the most important thing you took away from the Center for the Study of Science Fiction writing workshop with Chris McKitterick and James Gunn?
Gregory Scheckler: Community. For me one of the biggest parts was the thriving community of people. The workshops were an incredible coalition of minds, including the students who were very accomplished writers. As for big writing lessons, there's almost too many to mention. One I've been thinking a lot about is how the emotional sense of story can grow out of protagonists and antagonists. Coming at fiction with a visual arts background, it's easy for me to imagine a scene or an image. And that's great, but for all their beauty, paintings are motionless (unless you throw them at the art critics). Story moves through time. So it benefits from characters who interact across timespans, who contest each other's inner and outer conflicts, which in turn provokes our emotions. In other words, the mechanisms of fiction reflect our human modes of community. SU: Your stories take place in a post-climate change world. How do you feel your work fits into recent ecologically-aware subgenres such as Solarpunk (i.e. the Sunvault anthology), Eco-Weird (i.e. Jeff Vandermeer’s Southern Reach trilogy) or Cli Fi (i.e. The Water Knife by Paolo Bacigalupi)? GS: Without climate action, goodbye humanity. I don't view my writing as situated in a post-climate change world so much as in a future extrapolated from the changes that are happening today and which will continue happening in the future. That's similar to James Gunn's thesis that science fiction is a literature of change (he outlines this idea in his Road to Science Fiction). Personal, cultural, scientific. Adding environmental issues brings climate change into that larger view. We might figure out ways to adapt to pressing ecological changes. Or we might ignore them and fall into the worst-case scenarios of geopolitical fractures that follow altered weather, flooding, rising ocean temperatures, loss of food sources, and species loss. These problems are intensifying for the foreseeable future. In that sense, a science fiction that extrapolates from what we know today must address climate change. So I think these subgenres are all on a compelling track. Solarpunk strikes me as a little too optimistic, sometimes, and I think my works are generally darker in tone like cli-fi, but not quite as inventive as eco-weird. The ecological-political issues play a bigger role in my upcoming trilogy, Infinite Things, which is permeated by a new kind of world government that asserts sustainable technologies -- and that's not always a good thing. (see next question). SU: Will your novels take place in the same world as the stories in Water Taxi in a River of Vampire Fish and Moon Dust Infinity? Will we see any of the same characters again? GS: Yes, and no. Water Taxi includes prehistory of some of the world described in my upcoming Infinite Things series of novels, whereas Moon Dust is stories that are happening at the same time as some of the upcoming Infinite Things series. Some of the Moon Dust characters have roles in Infinite Things, especially in the second novel I have planned for that series. I'm hoping to have the first novel in the Infinite Things series ready by Fall 2017, the second in early winter. Ideally each story and novel stands well on its own, but then when looked at as a group they create added meanings. Some of what connects these stories is the settings and world-building. I do have a variety of unrelated projects coming up in the meantime, such as the novels StarFold, and Biomimic Generations. Both of these share many of the concepts of artificial intelligence and synthetic humans that are introduced in Water Taxi and Moon Dust, but, they are set in quite different worlds.
SU: What advice do you have for young writers struggling through the first draft of a science fiction novel?
GS: That's a hard question because the author's specific struggle may come from a variety of problems, or sometimes even from prior successes. Is it a plot or structural problem, a language or descriptive problem, a character problem, point of view, or writer's motivation, or world-building, or a lack of a plan? A hundred possibilities. To help the author come up with her own best solutions to the issues, I'd have to know the writer's intentions, the story ideas, etc. But here's a five general strategies when struggles arise: When struggling, one tactic is to take a break. Set the work aside for a day. Give your subconscious mind a chance to mull over the story issues. Go for a walk in the woods, or other physical exercise if you can. Just to clear your head. Another tactic is to feed your mind new information. Read some non-fiction. The idea here is to expand and contest your understandings of the world, to find new solutions for your stories outside of what you're already thinking: the ideas, histories, new scientific developments. Science literacy helps science fiction. So I recommend Carl Sagan's 'Demon-Haunted World' as a great starting place if the author is new to the sciences. Other good preliminary sources are the better overview magazines, like New Scientist, Scientific American, Nature. A third tactic is to write a different story. Sometimes the approach to a new story or idea answers the problems in an older one. A fourth idea would be to pack up and go work in a different environment for a while. Sometimes I get more writing done in an hour at the library than I do in three hours in my office. Funny how that works. A fifth strategy is talk to people. For example once I was trying to write a scene that involved a character being mugged. I got stuck. So at a dinner with some friends I asked them "Hey, have you ever been mugged?" And some had or knew someone who had. What happened? What did it feel like? How did they respond? How did they feel the day after? People like to share their experiences, and these real-life events can inform our writing. SU: What books, authors, or films influenced you while writing your story collections? GS: Well, I draw broadly from many sources. I credit Kim Stanley Robinson's Mars series with proving to me that contemporary ecological issues can matter in science fiction. But the love of the field for me goes back to Star Wars and Star Trek, when I was young. In those years I also read Tolkien, Ursula K. le Guin, Bradbury, Asimov, and Douglas Adams. I like a lot of the more intellectual films such as Moon, Tarkovsky's Solaris, and Arrival. Readers can find a suite of author's notes in the back of each of my books, noting some of the sources that inspired me. In relationship to quantum mechanics in Moon Dust Infinity, one of the best non-fiction books I read was Amanda Gefter's Trespassing on Einstein's Lawn (Bantam, 2014). SU: Do you have any readings or signings coming up? Where can readers find you? GS: My next public event is an art opening, here in the Berkshires in February. Sometimes I attend Boskone or Readercon. But the best places to find me are online, like Twitter and Facebook or directly via my email newsletter. Right now if you sign-up for the newsletter, you can get the ebook Moon Dust Infinity for free. And of course Water Taxi is free on Amazon, Barnes and Noble, and elsewhere. :)
American author Gregory Scheckler lives in the Berkshires of Massachusetts. He enjoys both Star Trek and Star Wars and he isn’t afraid to say so in public. He and his wife are avid telemark skiers, and enjoy mountain biking and hiking too. Writings credits include World Weaver Press, The Berkshire Review, the Mind’s Eye Liberal Arts Journal, and Thought & Action: Journal of the National Education Association. Selected visual arts credits include Ferrin Gallery, the Washburn Historical and Cultural Museum, Duluth Art Institute, Utah Museum of Fine Arts, the Bennington Museum, the Berkshire Museum, and the National Science Foundation. In addition to writing and exhibiting, Gregory Scheckler currently serves as Professor of Art at the Massachusetts College of Liberal Arts, where he teaches critical thinking, creativity and innovation.
I first came across Tara Campbell's writing when we both had stories in the Dear Robot anthology (see my "Story Behind the Story" post about that anthology here). Her epistolary Dear Robot story, "Nickerson Interstellar Student Exchange Behavioral Contract," is brilliant, so I'm sure her newly released novel, TreeVolution will be brilliant as well. It's about genetically modified trees who start attacking people in what the book's description calls "a little eco-payback."
In this week's interview, Tara Campbell talks with me about her path to publication, eco-sci-fi, and asking "what if?" questions.
Sarena Ulibarri: In a nutshell, what was the path from manuscript to publication for TreeVolution?
Tara Campbell: It was a little over three years between the initial idea for TreeVolution and having the book in my hands. I wrote for a year and edited for another year. I thought it was ready after that round of edits and started shopping it around to agents. Turns out it wasn't ready, so I did an additional round of edits the third year and widened the query net from just agents to small presses as well. Then Carrol Fix, my editor from Lillicat Publishers, got what I was doing and took the project on! SU: What advice do you have for young writers struggling through the first draft of a science fiction novel? TC: I started with short stories before I ever thought of writing a novel. I found that writing stories was a way to keep myself motivated with while slogging away on the longer-term project. With stories, you have a sense of accomplishment finishing them, and you can workshop a discrete project, which informs your writing on the larger project. And you have the relatively instant gratification of publishing stories in journals while you're still working on the novel. Additionally, taking a break from the longer work always helped me to go back and see it more objectively, to cut what I needed to cut and, more importantly, to show me that it wasn't really the disaster I thought it was when I got frustrated with it. SU: I know writers (especially those in the “literary” or “cross-genre” camp) don’t always like to put labels on their work, but how do you feel TreeVolution fits into recent ecologically-aware subgenres such as Solarpunk (i.e. the Sunvault anthology), Eco-Weird (i.e. Jeff Vandermeer’s Southern Reach trilogy) or Cli Fi (i.e. The Water Knife by Paolo Bacigalupi)? TC: I tend to read across genres, and to be honest, have only recently come back to science fiction after a long hiatus. I didn't set out to write in a specific genre, I really just followed questions that intrigued me. In terms of TreeVolution, the impetus was a radio segment about a team of French scientists who had devised a way to listen in on the circulatory system of trees, and could detect when a tree was not getting enough water before any visible signs of distress appeared. I started wondering what else the trees would tell us if we could understand them, and the research into plants and trees was so fascinating, I had to write about it. I guess if one had to label it, one could call it near-future eco-sci-fi. The focus is not so much on the future, but on the point at which we decide what kind of future we're going to have. Will the environment be our antagonist or our ally? SU: You’ve published quite a lot of short fiction! How does the writing process differ for you when you’re writing short versus when you’re writing long? TC: I think short stories are more forgiving of my writing process, which is usually to start with a "what if?" and spin out all of the ways that thing could have happened, as well as the pros and cons now that it has happened. Like what if flowers could talk? Or what if humans found a way to get nutrients from chlorophyll instead of food? Or what if the last Gashlycrumb Tiny lived? Many writers start with an outline, especially with novels, but I'm more of a "pantser." I like to take that voice or phrase that pops into my mind, like "Death sure changes a person," and think about what that could actually mean. I can just let go and follow the breadcrumbs when I'm writing something short, but writing a novel requires a larger question and a lot more planning. SU: What books, authors, or films influenced you while writing TreeVolution? TC: You know, I actually looked for books that were similar to what I was doing, but many of them featured dystopian wastelands or were written from a scientist's point of view, or went into the fantasy realm of Tolkein's Ents. I wanted to imagine how a transformation in the way humans interact with the environment would impact every day people. Of course there are scientists in my book, because my characters are looking for fact-based answers, but they are discovering them along with the general public rather than being the experts with all the answers. I like the idea that a relative layperson is having to get up to speed on these complex issues in the face of a looming crisis, because we all are. In that spirit, I've included a list of resources in the back of the book, lists of some of the articles I used to try to get a handle on the topic of communication between plants and trees, genetic modification and other experimentation with plants and trees. It was sometimes hard to get out of the articles and keep writing! SU: Do you have any readings or signings coming up? Where can readers find you? TC: Yes, thank you for asking, I have a few appearances coming up in the Washington, DC area over the next few months. I have about one reading a month on the calendar, and I'm thrilled that TreeVolution has been selected as the featured novel for Barrelhouse's Conversations and Connections conference in April. In fact, I've finally gotten organized enough to list my appearances on my website.
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With a BA in English and an MA in German, Tara Campbell has a demonstrated aversion to money and power. Originally from Anchorage, Alaska, she has also lived in Oregon, Ohio, New York, Germany and Austria. She currently lives in Washington, D.C. where she volunteers with 826DC and the Washington Writers Conference/Books Alive. She was the grateful recipient of two awards from the DC Commission on the Arts and Humanities in 2016: the 33rd Annual Larry Neal Writers' Award in Adult Fiction, and the 31st Annual Mayor's Arts Award for Outstanding New Artist.
S.D. Grimm is another of the amazing writers I know from PitchWars, a mentorship and agent-pitching program I participated in a couple of years ago. She managed to snag a publishing deal with Gilead Publishing for her young adult fantasy novel Scarlet Moon, which was just released. She's stopping by my blog today to talk about her book and her path to publication.
Sarena Ulibarri: What was your inspiration for writing Scarlet Moon? S.D. Grimm: I love animals. The novel I wrote prior to this one (which sits in a proverbial dark, secret drawer) was about animals. All the characters were animals. And one day I decided to get serious about publishing. Then I decided I was going to write about people. I still wanted animals to be a big part of the story so I chose to write about a race of people who can commune with nature. These people basically get certain talents or abilities from animals—and they reciprocate, giving animals certain abilities too. Then I researched some really cool animals, including mythological ones, and the story world really grew from there. SU: What has your journey to finding an agent and the road to publication been like? SDG: Hard. Crazy. The thing about this business is it’s not for the faint of heart. You better your craft all the time. You build your social media presence. You try to send the right work at the right time to the right people. You attempt to stay ahead of the curve without knowing where the curve is. You survive getting your heart broken again and again and again. You don’t give up. You make connections. Friends. Partners in writing who help and encourage you. You have fun. You learn a lot about writing and about yourself. And when something good happens and you take another step forward down this path, all those people celebrate with you. You find community. You work your heart out and wear it on the pages of your work. People will crumple it up, step on it, and some will even use it wipe the snot off their own faces. And then there will be those who feel what you’re trying to say. They’ll cherish it, and they’ll recommend that others read it. Some will misunderstand it. Others will get it. And still that journey—probably on the road less traveled—is just beginning. SU: How many books did you write before being published? SDG: Three. They’re each part of a trilogy I started when I was in middle school. It’s about a dog of magical heritage who’s supposed to save the world, except he got hit by a car and now has amnesia. They live in a proverbial drawer and who knows, maybe someday they’ll see the light of day, but I’m not holding my breath.
SU: What kind of things did you learn from your PitchWars mentor when you were getting your PitchWars manuscript ready to query?
SDG: So much. Molly Lee was my awesome mentor, and she was amazing with big-picture edits. She took knowledge from her critiques with agency sibling writers and applied those tips to my story so I could see what was working and what wasn't. She was fabulous at brainstorming and always let me bounce ideas off of her. I loved that not only was she willing to help me fix what wasn't working, she was also quick to tell me what was working and why. The why part was invaluable. I actually learned a lot about my strengths as a writer from her. I would say the most helpful thing I took away from her advice will be applied to all my future stories is don't try to force something into the story that's not working. I had this relationship planned between these two characters and it just ended up being uncomfortable. On paper, for my plot outline, it worked. But once those characters actually had personality and were interacting, it flopped. So be flexible and willing to change what's not working in the story instead of trying to force it because it looks good on paper. SU: I loved seeing the video by your cover artist about all the work that went into creating the cover art! Did you have any input on the cover design, or did you just see it in its beautiful final form? SDG: It was amazing wasn't it? My cover artist, the amazing Kirk DouPonce, actually read the story so he could get a feel for the cover and characters. He then talked with me about the idea he had. I was over-the-scarlet-moon excited because I wanted Jayden (my main character) to be in the woods with daggers and a wolf. And that was exactly his vision. And then he said he was going to make the dagger glow with the blue mist and I was jumping up and down, because it was so perfect. So he asked me what Jayden looked like and I sent him some awesome photos (taken by my dad) of my sister wearing a costume my mom made that portrayed my character. He loved the costume and asked me to mail it to him for a photo shoot! So the costume the girl on my cover is wearing? Yeah, my awesome mom made it. Cool right? I was really excited to have that much brainstorming input into the cover. And guys, I've seen the cover for book two already. And can I just say SQUEAL! That is all.
S. D. Grimm’s first love in writing is young adult speculative fiction. She is represented by Julie Gwinn of the Seymour Agency and her debut novel, Scarlet Moon, is slated to be published in October 2016. When she’s not writing or editing, Sarah enjoys reading (of course!), making clay dragons for her Grimmlies store on Etsy, practicing kickboxing and Brazilian jiu jitsu, training dogs, and doing anything outdoorsy with the family. Her office is anywhere she can curl up with her laptop and at least one large-sized dog.
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Today I'm talking to Rhona Long, the protagonist of MACHINATIONS and COUNTERPART. She's the leader of an underground resistance against a deadly machine uprising, and she is just the kind of badass you want on your side when the robots go wrong. A couple of months ago, I interviewed author Hayley Stone, but now I've managed to access an exclusive portal into the story world in order to ask Rhona a few questions.
Sarena Ulibarri: Okay, Rhona, here's something that's been bothering me. You and Samuel grew up in New Mexico (that's where I live — Go, Lobos!), and now you're stuck hiding in a bunker in Alaska while machines try to kill you. How do you cope without green chile? For most New Mexicans I know, that would be an apocalypse in and of itself. Rhona Long: Two words, my friend: memory loss. You can’t miss what you can’t remember, right? Though now you have me curious and… damn. Yep. Now you’ve got me hankering for this legendary chile. Thanks a lot. Though I guess that’s one good thing about having a faulty memory: you get to experience a lot of great things again for the first time. I’ll have to ask Samuel about it later. Watch him turn out to be a closet Mexican food fan. SU: How did it come to be that Alaska is the last holdout against the machines? RL: As much as I’d like to take the credit for it, everything was in place before I arrived. McKinley base was established by the US, as part of some continuity of government plan. Alaska was the perfect location because it’s so freaking cold. The ice messes with the machines, and the terrain gives their mobile units a lot of trouble. Plus, the mountain itself, Denali, protects the base from detection and aerial bombardment. So I guess you could say, paranoia, dumb luck, and the climate. That’s what’s saving the human race.
SU: The machines in your world are eliminating humans because they decided it was the logical way to stop human wars and cruelty. At least the TVs and DVD players will still obey your commands. What are your favorite films to watch while hiding out in your secret paramilitary base?
RL: Anything with Ewan McGregor. (Don’t tell Camus.) No, but seriously, Moulin Rouge is one of my favorites. What can I say? I’m a sucker for a good romance. Samuel’s also got me on a strict diet of old sci-fi and fantasy movies that he claims I used to love. He’s been right so far. All twelve of the Star Wars films were fun, and The Princess Bride always manages to lift my spirits. Zelda keeps trying to convince me to watch the second Terminator, but honestly the first one was enough. SU: Time for a serious question: You're a clone, resurrected from the DNA and memories of the original Rhona Long. What is it like to be the only clone in a world of non-clones, especially when humans are becoming an endangered species? RL: To be honest, I don’t think about being a clone as much now as I first did. I mean, I try not to, anyway. You ever hear the expression about carrying around a glass full of water? It’s like that. The longer you hold on to the glass, the heavier it gets, until finally it’s this crushing weight. It becomes all you think about. Better to set it down somewhere, and only pick it up when you really need a drink. I guess what I’m trying to say is, I’m done holding that glass of water, you know? I know what I am. I know who I am. If you’re asking me if I think that cloning is a solution to the genocide of the human race, I don’t know. I’ve never really considered it. But probably not. Clones come with a lot of emotional baggage. In case that wasn’t already obvious. SU: What's next for you and the other survivors? RL: I’m optimistic about a treaty between the North Americans factions, the Chinese, the North Koreans, and the New Soviets—I guess you’d still call them Russians in your world, huh? Politics be crazy, am I right? Such a coalition should strengthen humanity, divide the load, and make it easier to carry the burden of this conflict. I believe that together we can accomplish far more than we’ve managed to while apart. Whoa, sorry. Went into full Commander mode there for a second. Habit. Honestly, I’m just trying to take it one day at a time. Who knows what the future holds in store? Though now I’m hoping the answer is green chile... About the Author
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Hayley Stone has lived her entire life in sunny California, where the weather is usually perfect and nothing as exciting as a robot apocalypse ever happens. When not reading or writing, she freelances as a graphic designer, falls in love with videogame characters, and analyzes buildings for velociraptor entry points. She holds a bachelor’s degree in history and a minor in German from California State University, Sacramento. Counterpart is her second novel, and a choice for Amazon’s Best Sci-fi and Fantasy Books of the Month for October.
I've been pining for this book ever since I first heard it announced, and I was lucky enough to win an advance copy. It definitely lived up to all the hype! A Shadow Bright and Burning is like a Lovecraftian Harry Potter, with some shades of a not-as-graphic version of Penny Dreadful (it is YA, after all). It's dark and beautiful, with characters who will haunt your thoughts long after you set the book down.
Jessica Cluess was a year ahead of me in the Clarion Workshop; she attended in 2013 and I attended in 2014. Clarion has a history of turning out amazing and successful writers, and it's always exciting to see writers from recent classes making a name for themselves. Jessica was nice enough to talk with me today about her novel, her influences, and her favorite Clarion experiences.
Sarena Ulibarri: In a nutshell, what was the path from manuscript to publication for A SHADOW BRIGHT AND BURNING?
Jessica Cluess: After I finished editing, I queried the book for five months. One week after sending my query to him, the man who became my agent offered me representation. After that, we polished the manuscript for several months before finally putting it on submission. That was nerve-wracking, but I’m glad we worked on it for so long, because it hugely paid off. We had an offer after less than two weeks on sub, and went to auction after that. All told, it was nearly two years from the first day I sat down to write the book to the day we got the offer to publish. It seemed long at the time, but now it feels like a whirlwind. SU: What advice do you have for young writers who are struggling through the first draft of a fantasy novel? JC: Beyond anything else, especially when it’s fantasy, I say this: it’s better to write a galumphing, messy, weird draft that has something passionate and exciting on every page than it is to write a clean, perfectly constructed draft that you don’t feel anything for. It’s actually easier to edit the weird one, because at least you know the feelings you want to evoke. Bottom line: just get it done. You can’t edit until you’ve written. SU: What books, authors, or films most influenced you when writing A SHADOW BRIGHT AND BURNING? JC: My biggest influence was Susanna Clarke’s Jonathan Strange & Mr. Norrell. I describe it as Jane Austen’s Lord of the Rings, and it really is that. If you love a comedy of manners mixed with an outrageously interesting magical system, you’ll dig it. SU: What’s your favorite memory from the Clarion Workshop? JC: The water gun fight we had with Robert Crais and Kim Stanley Robinson. There is a picture of me shooting Stan in the back while he runs away that is among my top five favorite pictures of anything. SU: How many stories did you write at Clarion, and what became of them? JC: I wrote five stories, because during week one we reviewed one of my submission stories. The truth is, nothing much has yet come from those stories, largely because I’m not really a natural short fiction writer. A lot of the people in the program were already masters of the short story, so I had a lot of catching up to do. One of them has already won a Nebula for her short fiction! I may see if I can get a novel out of some of them; my stories always ran on the long side. SU: Do you have any readings or signings coming up? Where can readers find you? JC: Yes! I’ll be on tour the last week of October, in San Francisco, Denver, Salt Lake City and Austin. It’s going to be a whirlwind week! About the Author
Jessica Cluess is a writer, a graduate of Northwestern University, and an unapologetic nerd. After college, she moved to Los Angeles, where she served coffee to the rich and famous while working on her first novel. When she’s not writing books, she’s an instructor at Writopia Lab, helping kids and teens tell their own stories.
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I first met Dianna Sanchez through the extended network of the Clarion Workshop, and was thrilled to learn her novel was coming out soon from Dreaming Robot Press, a small press located in New Mexico (where I live and where I run my small press). I had the chance to chat with both Dianna and her editor last month at Bubonicon, Albuquerque's local science fiction convention.
If you're unfamiliar with the Clarion Workshop, it's a six-week intensive writing boot camp taught by some of the finest writers and editors in the field of science fiction and fantasy. It's a grueling experience of non-stop writing and critiquing, bad food, watergun fights, making lifelong friends, and questioning everything you ever thought you knew. I recommend it wholeheartedly. Dianna attended in 1995; I attended in 2014. Dianna was nice enough to talk with me today about her new novel A WITCH'S KITCHEN, her path to publication, and her Clarion workshop experience.
Sarena Ulibarri: It was great to meet you this year at Bubonicon! How was your Bubonicon experience? Had you attended it in the past?
Dianna Sanchez: Despite having grown up in Albuquerque, I had never been to Bubonicon before. I didn't find out about the existence of science fiction conventions until I'd gone off to college in Boston, and even then, I didn't attend one until after I'd graduated. It seems downright absurd that I waited this long. Bubonicon is a pleasant, small, well-run con, with some good panels. I love that the gaming room is right in the thick of things, instead of shoved into a distant corner somewhere. I could just wander in and grab a pick-up game between panels. SU: In a nutshell, what was the path from manuscript to publication for A WITCH’S KITCHEN? DS: Nov. 2013 - Started writing what I thought would be a 10-page story as a Christmas present Dec. 2013 - Three chapters later, realized it was a novel Jan. - Feb. 2014 - Took an Odyssey Online course, Powerful Dialogue in Fantastic Fiction with Jeanne Cavelos Mar. 2014 - Completed first draft Summer 2014 - Joined Society for Children's Book Writers and Illustrators Jan. 2015 - Attended Arisia in Boston, did a pitch session with N.K. Jemison Apr. 2015 - Attended the New England SCBWI conference in Springfield, MA. Won the Pitchapalooza. May 2015 - Started up a critique group of folks I met at the conference June 2015 - Started querying the novel, exchanging manuscripts with other SCBWI authors Aug. 2015 - Dreaming Robot Press expressed serious interest. Called in my Pitchapalooza prize, an agent consult. Sept. 2015 - Began revising per DRP's developmental editor's request Fall 2015 - Took Writing MG/YA Novels with Holly Thompson, learned plot structure Nov. 2015 - Committed to completed revision by January 31st Jan. -Feb. 2016 - Took Odyssey Online course Getting the Big Picture (novel revision) with Barbara Ashford Jan. 31, 2016 - Turned in the revision Feb. 2016 - Met with Corie and Sean Weaver of Dreaming Robot Press in Albuquerque and negotiated contract. Signed a week later. Mar. 2016 - Completed final revision (v.11.5) April 2016 - DRP launched Kickstarter campaign for A Witch's Kitchen and The Demon Girl's Song by Susan Jane Bigelow. We funded the same day, in the middle of our Facebook author party. June 2016 - Got the ARCs, started pushing for reviews, readings Sept. 25, 2016 - Launch day!
SU: If you could go back in time and give young-Dianna one piece of writing advice, what would it be?
DS: Writing is not just a hobby. Writing is not less important than physics. Writing is what you love to do, and it's what you do best. Stop apologizing, to everyone else and to yourself, for spending so much time writing. Just write. SU: What’s your favorite memory from the Clarion Workshop? DS: Oh, man, that is so hard. It was such a blast from beginning to end. Was it playing Assumption (the card game from instructor Tim Powers' novel Last Call)? Watching Bruce Glassco playtest an early version of his board game Betrayal at House on the Hill? Boffer weapon battles with Lucy Snyder? Making an enchilada casserole in Chip Delany's oven? Congratulating Kelly Link on her first sale to Asimov's? Hmm... okay. I think it was shouting in the hall. We'd be up in our (totally not air conditioned) dorm rooms, pounding away on our stories, and someone would open their door and yell something like, "Hey, anyone know how long the day is on Mars?" Because it was 1995, and Google did not yet exist. AND SOMEONE WOULD KNOW. Every single time. I miss that so much, the collective gestalt of it, the marvelous feeling of being in my tribe. SU: How many stories did you write at Clarion, and what became of them? DS: I have it in my head (though my head is often wrong) that I wrote nine stories, and that this was a record at the time, promptly broken the following year. I think, though, that they were counting my submission stories, and I really only wrote seven during Clarion. And I also think that I may have actually written more and not submitted them all. I'm a quick writer; I can churn out 1000 words per hour. I learned at Clarion that some people just don't write that quickly, and we wouldn't always have three stories to critique the next day. So I took to just writing stories on the fly and then, if we didn't have enough stories, I'd pull one out. Mind you, most of them were complete and utter crap. I think that by the end of the workshop, people were ready to strangle me if I pulled out one more horrible story. Guys, I hope you've forgiven me by now. Alas, all the stories are in the Clarion archives. Only one, "A Recipe for Martian Enchiladas," eventually turned into a saleable story, "Weeds," which is appearing in the 2017 Young Explorers' Adventure Guide. SU: Do you have any readings or signings coming up? Where can readers find you? DS: I have two book launch parties coming up: Sunday, September 25, 2-3pm Remember Salem 127 Essex St., Salem MA A kid-friendly event with a costume contest, bad joke contest, and raffle! I will read from A WITCH'S KITCHEN and answer questions from the audience. THERE WILL BE COOKIES. Saturday, October 1, 7-9pm Pandemonium Books and Games 4 Pleasant St., Cambridge MA Together with my Kickstarter buddy Susan Jane Bigelow. We will read from our novels, A WITCH'S KITCHEN and her YA fantasy THE DEMON GIRL'S SONG. No word yet on whether I can bring cookies. ; ) Readers can check my web site, diannasanchez.com for more appearances, subscribe to my newsletter, and contact me on Facebook or Twitter. About the Author
Dianna Sanchez is the not-so-secret identity of Jenise Aminoff, whose superpower is cooking with small children. She is an MIT alumna, graduate of the 1995 Clarion Workshop and Odyssey Online, active member of SCBWI, and former editor at New Myths magazine. Aside from 18 years as a technical and science writer, she has taught science in Boston Public Schools, developed curricula for STEM education, and taught Preschool Chef, a cooking class for children ages 3-5. A Latina geek originally from New Mexico, she now lives in the Boston area with her husband and two daughters.
Today, I'm excited to participate in the cover reveal for Julia Ember's new YA Fantasy TIGER'S WATCH, coming August 2017 from Harmony Ink Press. I'm totally bummed that this is a full year away from being on my shelf, because it sounds amazing. Julia Ember is one of the amazing authors who has really heeded the call of "We Need Diverse Books" by writing compelling and beautiful fantasy with LGBT+ characters in settings that draw from cultural sources other than Medieval Europe. If you haven't picked up her first novel UNICORN TRACKS yet, I highly recommend it.
Sixteen-year-old Tashi has spent their life training as an inhabiter, a soldier who spies and kills using a bonded animal. When the capital falls after a brutal siege, Tashi flees to a remote monastery to hide. But when the invading army turns the monastery into a hospital, Tashi catches the eye of Xian, the regiment’s fearless young commander. About the Author
Originally from the Windy City, Julia Ember now resides in Sunny Scotland where she learned to enjoy both haggis and black pudding. She spends her days working as a professional Book Nerd for a large book distribution firm, and her nights writing YA Romantic Fantasy novels.
A world traveler since childhood, Julia has now visited over 60 countries. Her travels inspire the fictional worlds she writes about and she populates those worlds with magic and monsters. Find her online at julia-ember.com or @jules_chronicle.
I know Hayley Stone because we both participated in a very cool writing mentorship program called PitchWars, in which aspiring writers are paired up with a more established writer to work on their novel manuscript and get it ready to submit to agents. Alas, my satirical science fiction novel,The Edge of the Universe, did not find an agent through this contest (in fact, I'm still working on ironing out the kinks my mentor helped me uncover), but Hayley did find an agent and a book deal. She's even paying it forward by volunteering as a PitchWars mentor in this year's program.
I had the chance to meet Hayley in person briefly at this year's San Diego Comic Con, where I secured a limited edition signed paperback copy of her robot apocalypse novel Machinations, available in ebook from Hydra, a digital-first imprint of Random House. Hayley was signing alongside Jason Hough, author of The Dire Earth Cycle. I'm sure that the publisher and event organizers thought pairing her up with an established author would increase Hayley's exposure. No doubt it did, but here's the thing: while I was waiting in line, I heard as many (if not more) people chattering about Hayley as about Jason. People weren't coming up and asking "Is this the line for Jason Hough?" They were asking "Is this the line for Hayley Stone?" True story.
Hayley was nice enough to answer a few interview questions for me. Check out her answers, and then go pick up her book!
SU: Even though your book is (currently) ebook only, your publisher printed up some bound galleys so you could do a signing at San Diego Comic Con. How awesome is that?! What was your experience giving a signing at such a big event? HS: It was tremendously awesome! Seeing my book in print for the first time was a thrill, and I’m hoping the ebook does well enough to justify a print run in the future. As for the signing itself, I was seated at the table the whole time, meeting with readers, but I was told after that the line for the signing was huge. Everyone at the Del Rey booth was supportive, and my editor helped keep things moving. I was also fortunate to get to sign alongside Jason Hough (The Darwin Elevator) who made me feel welcome and like I was already a member of the SFF authors crew. The highlight of the signing, though, was definitely when a fan came through the line. She’d already read the book via NetGalley and was so enthusiastic about it! She even went as far as to recommend it to the other people standing in line. It felt like such an honor, and reminded me why I want to do this for a living. Having a reader make such an emotional connection to your story is wonderful. SU: How was your Comic Con experience overall? What did you do when you weren't signing books? HS: Attending Comic-Con for the first time—and as a published author, at that!—was one of the most surreal experiences of my life, and I won’t be forgetting it anytime soon. As far as what I was doing the rest of the time: I walked around the convention a lot, inspecting all the cool merchandise, and talking with other exhibitors. I also bought some Legend of Zelda fanart because of course I did. Gotta remember my humble LoZ fanfiction origins.
I was also invited to a party for Penguin Random House authors and other industry professionals which was as awesome as it sounds. At the party, I met Terry Brooks, Andy Weir, Kevin Hearne, Chuck Wendig, Victoria Schwab, and Indra Das, among others. In case you’re wondering, they’re all just as cool as their books and online presences suggest! As an up-and-coming author, it was incredible to be able to speak with them and get their thoughts on the industry and their own writing.
SU: Do you have any other readings or signings coming up? Where can readers find you? HS: I’m considering attending New York Comic-Con in October, around the time my sequel releases, and quite possibly Emerald City Comicon next year. You can usually find me on Twitter (@hayley_stone), which is also where I’ll post any upcoming news in addition to my website, of course. And if Facebook is more your thing, I have an official author page here. SU: What kinds of things did you learn from your PitchWars mentor when you were getting MACHINATIONS ready to query to agents? HS: My mentor, Eden Plantz, provided great guidance on who to query, how to personalize, and how to respond to certain querying situations. With regards to the manuscript itself, I got into Pitch Wars as an alternate mentee, back when that was a thing, so we only did minor line edit touch-ups. I did learn that “There” is a vague/weak word to use when not referring to an actual physical location. It’s something I still keep in mind while writing. SU: What books, authors, or films most influenced you in writing MACHINATIONS? HS: Regarding books, if I recall correctly, I think I’d just finished Mockingjay by Suzanne Collins and was reading the Song of Ice and Fire series by George R.R. Martin (A Storm of Swords, to be specific). I love Collins’ crisp first person and Martin’s characterization, as well as his knack for narrative escalation. All were qualities I adapted and drew into my own writing. Ironically, when I wrote the first draft of Machinations, I hadn’t actually seen any of the Terminator movies yet so it’s always funny to me when people compare the two. Instead, Doctor Who had more of an influence on me, in terms of humor and personal taste, which might explain why the book has a more jovial feel to it than The Terminator. SU: We know there's at least one sequel to MACHINATIONS—will there be more? HS: All I can say at the moment is that I do have plans for a third book to conclude the series; however, it will depend on how well the first two books perform. But yes, I hope to write at least one more!
ABOUT THE AUTHOR
Website | Twitter | Facebook | Tumblr | Pinterest Hayley Stone has lived her entire life in sunny California, where the weather is usually perfect and nothing as exciting as a robot apocalypse ever happens. When not reading or writing, she freelances as a graphic designer, falls in love with videogame characters, and analyzes buildings for velociraptor entry points. She holds a bachelor’s degree in history and a minor in German from California State University, Sacramento. Machinations is her debut novel from Hydra/Random House. Its sequel, Counterpart, releases October 11th, 2016.
Cover Reveal Title: Virtue of Death Series: Earthbound Angels #1 Author: Randi Perrin Release Date: August 20, 2016 Presented By: Itsy Bitsy Book Bits Synopsis: At eighteen, Sera Moore chose to go to culinary school while a higher power selected her to become an angel, specifically, an angel of death. Now, twelve years later, Sera’s a successful baker during the day and performs her angelic duties at night. The only thing missing in her life is a man, but the last thing she wants is to fall head over wings in love. It seems her relationships are unable to survive once she reveals her nighttime activities, so it’s easier to not even bother. But when a tenacious food critic won't take a hint, can Sera lower her wings long enough to risk her heart one more time? Author Bio: Randi has spent her entire life writing in one form or another. In fact, if she wasn't writing, she'd likely go completely and utterly insane. Her husband has learned to recognize when the voices are talking in her head and she needs some quality time with an empty Word file (the key to a successful marriage with a writer). She lives with her husband, daughter, and four-legged children (all of which think they are people, too). A pop culture junkie, she has been known to have entire conversations in movie quotes and/or song lyrics.
One of the things I wanted to do with this blog is provide a platform for cover reveals and book announcements for other writers I know—especially debut authors. So if we've interacted either in real life or through social media, and you have a speculative fiction book coming out soon, please hit me up and let me help you out.
I'm thrilled to have Randi Perrin's VIRTUE OF DEATH as my first cover reveal. Due out August 20th, this will be the first (of hopefully many) in her Earthbound Angels series from romance press Hot Tree Publishing. I haven't read it yet, but I will definitely be picking up a copy, and probably in paperback, because just look at this gorgeous wrap!
The color scheme of this cover is what catches my attention, and the way that beautiful blue is echoed in Sera's eyes and necklace, but what really intrigues me is the ethereal nature of the angel wing. You can almost miss it if you don't look closely enough. I'm guessing that's entirely intentional, though, since this is the type of contemporary fantasy where supernatural creatures are still hidden from mainstream society. And I have heard Randi insist, "My angels don't have feathers!" So that wing makes me very curious.
I haven't read enough paranormal romance to really know the best comparisons, but I'm guessing if you enjoyed FIRST GRAVE ON THE RIGHT by Darynda Jones or GRAVE WITCH by Kalayna Price, you're going to fall in love with VIRTUE OF DEATH. Want more hints about the story? Check out the book trailer below, and follow Randi Perrin on Facebook for periodic teasers (and frequent pictures of hot men). |
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