New solarpunk story markets are popping up all the time. See my first two lists of places to send your solarpunk stories here and here—some of those deadlines have expired, but others are still coming up, or are ongoing. Below are ten more magazines and contests that are interested in publishing solarpunk stories. They're organized with the earliest deadlines listed first. Know of a solarpunk fiction market I missed? Please leave a comment! FiyahMagazine, Themed Issue Submission Window: January 1, 2018 – January 31, 2018 Length: 2,000 to 15,000 words Payment: (2,000 – 7,000 words): $150 USD; (<15,000 words): $300 USD Description: Big Mama Nature issue: Everyone knows that you need to respect Mama. We’re looking for stories of Nature and her swift backhand when folks get out of line. Give us your stories of ecological wastelands, futures full of solar powered punks, or natural disasters. Climate fiction is the name of the game, and Big Mama don’t play. Full Guidelines: http://www.fiyahlitmag.com/submissions/ Note: Submissions limited to stories by and about people of the African Diaspora. Bikes in Space 6 Published by Microcosm Publishing Submission Window: closes February 1, 2018 Length: 500 to 8,000 words Payment: based on Kickstarter, no less than $30 per story Description: The theme for this issue is: Dragons. Stories can be in any science fiction or fantasy – ish genre: high fantasy, hard SF, space opera, fairy tales, solarpunk, spec fic, slipstream… anything but fanfic. Dragons can be literal or metaphorical, from a specific cultural tradition or entirely of your own invention. Surprise me! All stories must contain bicycles—the story doesn’t need to be about bicycling, but this element must be central enough that removing it would change the story significantly. Same goes with feminism. The story doesn’t have to be about feminism, but it does need to break from tired old gender stereotypes. Full Guidelines: http://takingthelane.com/2017/10/25/call-for-submissions-bikes-in-space-6-dragons/ Electric AthenaeumPublished by The Anglia Ruskin Centre for Science Fiction and Fantasy Submission Window: closes February 15, 2018 Length: 3,000 to 10,000 words Payment: 50GBP per story Description: For Future Generations (theme): Generation starships establishing new colonies. The Svalbard Global Seed Vault. Driving back the dark to protect your children. For this issue of Electric Athenaeum, we are seeking genre stories that focus on the issues surounding planning for future generations. We are particularly interested in stories featuring new visions/interpretations of generation starships, the care of fragile ecosystems, and dramatic explorations of balancing the rights of future generations versus the needs of the present. Full Guidelines: http://csff-anglia.co.uk/ea/subs/ The Moon MagazineMagazine, Themed Issue Submission Window: closes February 20, 2018 Length: up to 5,000 words Payment: exposure only Description: Permaculture issue: The MOON welcomes submissions of original short stories, poetry, essays, and memoirs of any length (generally less than 5,000 words), as well as photography, artwork, and even video, addressing the following themes. (For 2018 we’re on a mission: what can “save” the world?) March 2018, “Return to our roots: The Permaculture plan for saving the world,” DEADLINE: February 20, 2018 Full Guidelines: http://moonmagazine.org/submission-guideline/ Everything Change Contest, Winners Published by Imagination and Climate Futures Initiative at Arizona State University Submission Window: closes February 28, 2018 Length: up to 5000 words Payment: $1,000 grand prize. Nine finalists will receive $50 each Description: In the wake of Earth’s hottest year on record, the effects of climate change are more apparent than ever. But how do we come to grips with the consequences on the ground, for actual people in specific places? Paolo Bacigalupi, renowned for his climate fiction novels and short stories, believes the answer lies in story: “Fiction has this superpower of creating empathy in people for alien experiences. You can live inside of the skin of a person who is utterly unlike you.” If our political responses and our empathy for people besieged by the consequences of climate change fall short, perhaps we need new stories to help us imagine possible futures shaped by climate change and our reactions to it. Full Guidelines: https://climateimagination.asu.edu/clificontest/ Note: Last year's winning stories are available as an ebook or a PDF. Download it here. The first story, “Sunshine State” by Adam Flynn and Andrew Dana Hudson is very much solarpunk. About Place JournalMagazine, Themed Issue Submission Window: January 1 to March 1, 2018 Length: up to 4,000 words Payment: exposure only Description: Rewilding Issue: Is it also possible for humans to rewild themselves? What would this look like? When humans deny themselves or are restricted from opportunities for deep immersion in nature, or access to their ancestral places, what has been lost? Journalist Richard Louv has suggested that this deprivation is a “nature-deficit disorder” that afflicts many humans—particularly those of us dwelling in urban, high-tech surroundings or housing projects planted on landscapes of pavement under orange glowing lights that so obscure the night sky that we might come to think of the stars and the planets as rumored bodies floating somewhere up above. For some of us trying to get “back to the garden,” this rewilding may look like resistance. Urban families who seed unsanctioned gardens in vacant lots are often reviled by developers and city leaders, who respond with bulldozers and concrete mixers. When Latinx neighbors install backyard chicken coops, the HOA squawks about it, but when white hipsters make it cool, restrictive city ordinances are rescinded. Houston politicians have tried to ban piñatas from city parks, claiming they often end up as litter—sending a clear message that Mexican families are not welcomed in public green spaces. When Black artists in Dallas are commissioned to create signs for a city park and their proposed designs memorialize a history of racial violence in that public space, their project is cancelled. For this issue of About Place, you’re invited to describe the “letting go” spaces of rewilding—the critical habitats where and when our human expressions and behaviors might become unfettered—in explorations that are less mediated, colonized, or civilized. And what could such explorations possibly serve to resemble, reify, or reject? Full Guidelines: http://aboutplacejournal.org/submissions/ Force of NaturePublished by Dark Regions Press Submission Window: closes March 31, 2018 Length: 2500 to 10 000 words Payment: 7c p/w up to 7K – 5c p/w for stories longer than 7K Description: Though some among us have realised the importance of sustainable living, in the broad sense of everyday life, we still demand too much. Our capitalist dispositions have driven a wedge between ourselves and nature; we have become transfixed by the shine of chrome, the luxury of packaged lives, no longer seemingly aware of the solid earth beneath our feet. At an ever-advancing tipping point, humanity persists in its war against the natural world. Running a trail of extinction and cutting down vast swathes of oxygen-producing forests, we breed at an alarming pace, overpopulating a planet we seem hell-bent on reigning in – but at what cost? It seems we’re playing a cruel joke on the system that sparked our existence, and which has sustained us ever since. Or could the joke be on us? Force of Nature (working title) will be an anthology of original short fiction that explores the physical and metaphysical boundaries between humanity and the natural world. Full Guidelines: lynnejamneckdiaries.blogspot.ca/2017/12/submission-guidelines-weird-nature.html Stories of the Nature of Cities 2099Contest, Stories Published by Publication Studios / Guelph Submission Window: closes April 15, 2018 Length: up to 1,000 words Payment: $3,000. $1,500, $500 prizes, honorable mentions published with no payment Description: What are the stories of people and nature in cities in 2099? What will cities be like to live in? Are they lush and green, verdant and biodiverse? What will cities look like; be made of? How will they be designed and powered? Will they be tall, short, dense, under ground or under water? What of public spaces? Social organization? Mobility? Government? Sustainability and food? Wildlife? Climate change and resilience? Poverty, consumption, wealth, and justice? How will we interact and relate to one another and the natural world? What sort of stories can we tell about our communities and the spaces that shape will them? Full Guidelines: http://www.storiesofthenatureofcities.org/ Third FlatironThemed Magazine Submission Window: June 15 - July 15, 2018 Length: 1,500 and 3,000 words Payment: 6¢ per word Description: Terra, Tara, Terror: Whether the setting is a cabin in the woods (Terra), Fae (Tara), or spaceship Nostromo (Terror), take us there and spin your adventure. For a bit of mood whiplash, we'd like a mixture of dark and bright stories. Examples: Obsession with odd artifacts (like Roadside Picnic's golden sphere?), alternate histories, paranormal romance (no erotica, please, we're PG-13). Full Guidelines: http://www.thirdflatiron.com/liveSite/ Dancing Star Press Small Press Publisher
Submission Window: April 1 – June 30 and October 1 – December 31 Length: 17,500 and 40,000 words Payment: Royalties, not specified Description: Dancing Star Press is seeking submissions of speculative fiction novellas. Space operas, solar punk, dark fantasy, and urban fantasy. Hard science fiction with an emphasis on biology or chemistry rather than physics. Fantasy based on non-Western cultures. Optimistic futurism. Polar Tesla pop and soft science fiction. Full Guidelines: http://www.dancingstarpress.com/submissions/
2 Comments
3/5/2018 02:41:09 pm
I will confess that I haven't heard of solarpunk but I am all sorts of intrigued! :-)
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3/24/2018 07:58:21 pm
Thanks for a great list of places to submit solarpunk stories to. It's not a genre I write, but I think this could be really useful for those that do.
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